Kultura - Dejan Savić / Culture - Dejan Savić
četvrtak decembar 14, 2017
CULTURE
Dejan Savić - Maestro Narodnog pozorišta...
Dejan Savić - Maestro of The National Theater... Read More...

Maestro Narodnog pozorišta

Kultura / Culture - DEJAN SAVIĆ
Maestro Narodnog pozorišta / Maestro of the National Theater

Dejan SavićDirigent, apsolvent na građevinskom fakultetu, odličan matematičar, sportista – nekadašnji košarkaš, Dejan Savić, V. D. upravnika Narodnog pozorišta, vrhunski je dirigent sa zavidnom umetničkom karijerom. Dvadeset četiri godine je član Narodnog pozorišta. Za magazin THE GLOBE otkriva svoje prve profesionalne nastupe, šta mu je bio najveći izazov za dvadeset četiri godine službovanja u Narodnom pozorištu, i kao umetnika i kao upravnika. Za najveći profesionalni izazov smatra posao dirigenta u operi i baletu.

Kako je počela vaša karijera dirigenta, i uopšte umetnika?

Kao dirigent sam radio sa dečjim, ženskim, muškim i mešovitim horom, te duvačkim ansamblom, sa simfonijskim orkestrom. Dirigovao sam baletom, operom, operetom, velikim simfonijskim orkestrom. Gde god je postojala potreba za dirigentom, ja sam učestvovao i dirigovao, i to sa velikim uspehom. Kada sam iz Niša prešao u Beograd, smatrao sam da nisam dovoljno dorastao Narodnom pozorištu, pa sam se okrenuo manjim teatrima. Međutim, bilo je onih koji su me godinama pratili i smatrali da imam potencijala te da mi je mesto u velikom teatru, u Narodnom pozorištu.

U Narodnom pozorištu, za te dvadeset četiri godine, promenili ste nekoliko funkcija i dirigovali prilikom izvođenja svih većih dela.

Bio sam direktor opere i baleta od 2001. do 2004, pre toga šef dirigent, a posle toga glavni dirigent. Za vreme svog mandata, odvojio sam balet i operu u dva sektora, što se pokazalo kao pametna odluka. Moja karijera kao rukovodioca u Narodnom pozorištu traje već petnaest godina. Vodio sam dva najveća hora – „Abrašević” i „Braća Baruh”. To je bilo lepo vreme – bavili smo se sportom, a materizmom, družili smo se bez interneta.

Kao mlad čovek odlučili ste se da postanete dirigent. Kako ste se opredelili za tu profesiju?

Moj otac je bio dirigent, moj teča je dirigent. Potičem iz umetničke porodice. Majka mi je bila profesor na Muzičkoj akademiji. Nikada se nisam dvoumio šta ću biti kada odrastem. Pored klavira sam se rodio i oduvek znao da ću biti upravo to što sam danas – dirigent, muzički umetnik. Igrao sam košarku, studirao građevinu i apsolvirao na građevinskom fakultetu kao već afirmisani dirigent.

(Nastavak teksta u štampanom izdanju)

 

Maestro of the National Theater

The orchestra conductor, DEJAN SAVIĆ, who is also a former student of the Faculty of Civil Engineering, sportsman – former basketball player, acting manager of the National Theater, and prominent conductor with an outstanding career in the arts. For 24 years, he has been a member of the National Theater. For THE GLOBE Magazine, he unveils his first professional performances, the challenges in his 24 years long service at the National Theater, both as an artist and manager. He considers his biggest professional challenge as a conductor to be working in opera and ballet.

How was the start of your career as a conductor, and artist in general?

As a conductor, I worked with a children’s choir, female choir, male choir, mixed as well, with brass ensemble, symphony orchestra, I conducted ballets, operas, operettas, and large symphony orchestras. Wherever a conductor was needed, I worked, conducted, and with great success. When I left Niš for Belgrade, I thought I was not mature enough for the National Theater. I looked up some smaller theaters, but there were people who followed my work for years and thought that I had potential and that my place is in the major theater, the National Theater.

You have been in the National Theater for 24 years, you changed several positions, and conducted all major pieces.

Between 2001 – 2004, I conducted operas and ballets. Before that, I was chief conductor, and then principal conductor. During my mandate, I separated ballet and opera into two sectors, which was a smart thing to do. My managerial career in the National Theater has lasted for 15 years. I managed the two biggest choirs, the Abrasević Choir, and the Baruh Brothers Choir; those were nice times when we did sports, amateurism, and hanging out without Internet.

Where did you get your ambition, as a young man, to become a conductor? How did you decide on this profession?

My father was a conductor, my uncle is a conductor, and I come from a family of artists as my mother was a professor at the Faculty of Music. I never had any doubts what I would be when I grew up. I practically grew up with piano next to me, and I always knew that I would be what I am now, a conductor and an artistic director. I played basketball, I was also a graduate at the Faculty of Civil Engineering, all as an already affirmed conductor.

(Continue reading more in printed edition)

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